Here is Lenny trying to get a reading on the GPS in the courtyard of the Palermo archaeology museum around 10 days ago. You can tell that this was once a palace. I have been posting my images from that museum today.
Now I'm finished with Sicily, and it's time to get ready for my next trip in only two days. If I have interent access, you'll be able to see what I'm doing until the middle of August -- otherwise, you'll find out when I get back.
Monday, July 30, 2007
Sicily at a Crossroads
In ancient times, Sicily was already a crossroads where diverse cultures and ethnic groups met. This ancient Greek vase very obviously depicts a black person from sub-Saharan Africa. The next item from the museum shows an Arabic ceramic object, made in Arab-occupied Spain and brought to Sicily during the few hundred years when it was an Arab territory. The Norman conquest of Sicily in the late 11th century brought Sicily into the Western-Catholic-European sphere, where it eventually became a possession of the Holy Roman Emperor.
The Romans
The Romans in their time also ruled Sicily. This marble relief sculpture dates from the competition in the Roman Empire between Christians and mystery religions: it depicts the rites of Mithras. The museum collection of course includes a vast number of clay oil lamps, which are found in every archaeology dig, as they were the one common possession of almost every household around the Mediterranean throughout antiquity.
Finally, the Romans left their signature mosaic floors in several places in Sicily. Here is one portion from a beautiful one in the museum. On our previous tour, we saw the very spectacular villa at Piazza Armerina, where acres of amazing mosaics were preserved by a mud slide.
Empire upon empire, the Sicilians, said Di Lampedusa, were always ruled by outsiders. In sum, all the beautiful art and sculpture bears witness to rule in Sicily by Greeks, Romans, Arabs and Normans, by representatives of the Pope in Rome, indirectly by Byzantines, by the Holy Roman Emperor, the Spanish, the French, and -- in their view the last outsiders -- the Italians.
Finally, the Romans left their signature mosaic floors in several places in Sicily. Here is one portion from a beautiful one in the museum. On our previous tour, we saw the very spectacular villa at Piazza Armerina, where acres of amazing mosaics were preserved by a mud slide.
Empire upon empire, the Sicilians, said Di Lampedusa, were always ruled by outsiders. In sum, all the beautiful art and sculpture bears witness to rule in Sicily by Greeks, Romans, Arabs and Normans, by representatives of the Pope in Rome, indirectly by Byzantines, by the Holy Roman Emperor, the Spanish, the French, and -- in their view the last outsiders -- the Italians.
Ancient Sicily
In The Leopard, Di Lampedusa's prince observes that Sicily was the America of the ancient Greeks: a nearly empty land with some easily vanquished tribes, where they could found major cities and expand their civilization.
Major pre-Greek cities included Selinunte, which eventually became Greek, adopted Greek religion, and developed Greek ways. The Punic wars between Carthage and the ancient Greeks and Romans were fought to dominate Mediterranean ship traffic: Sicily is very close to Europe, and spans the narrowest portion of the Mediterranean; Carthage was close to the point across from Sicily. Until the end of the Middle Ages, ships hugged the shore; this was especially true in ancient times -- look what happened to Odysseus whenever he was blown off course and into the wine-dark sea!
Because Selinunte was destroyed in one of the later Punic wars and then forgotten, it's a magnificent source of archaic Greek and even pre-Greek art and architecture. These friezes from one of the main temples there were collected in the 19th century and brought to the museum in Palermo (a typical 19th century thing to do: take the art work away from the site -- lucky it isn't in Rome or London!) Greek mythological themes are easily recognizeable: I have selected just a few images.
The city itself has a full acropolis, including a theater, marketplace, and many other civic buildings, and a vast, open-roofed temple, which we visited on an earlier trip. The lion-head water spouts from the temple and a vast grotesque face are the most impressive items in the collection. Numerous vases, oil lamps, clay and bronze statues, figures from ancient Greek and pre-Greek graves, and other items from Selinunte and elsewhere are also on display in the museum.
Shipwrecks preserved much evidence of art and technology from ancient times as well: the first helmet, below, obviously spent millenia at the bottom of the sea. The museum also claims the world's largest collection of ancient anchors. These are made from stone and bronze or iron, and are on display all around the courtyard of the museum.
Major pre-Greek cities included Selinunte, which eventually became Greek, adopted Greek religion, and developed Greek ways. The Punic wars between Carthage and the ancient Greeks and Romans were fought to dominate Mediterranean ship traffic: Sicily is very close to Europe, and spans the narrowest portion of the Mediterranean; Carthage was close to the point across from Sicily. Until the end of the Middle Ages, ships hugged the shore; this was especially true in ancient times -- look what happened to Odysseus whenever he was blown off course and into the wine-dark sea!
Because Selinunte was destroyed in one of the later Punic wars and then forgotten, it's a magnificent source of archaic Greek and even pre-Greek art and architecture. These friezes from one of the main temples there were collected in the 19th century and brought to the museum in Palermo (a typical 19th century thing to do: take the art work away from the site -- lucky it isn't in Rome or London!) Greek mythological themes are easily recognizeable: I have selected just a few images.
The city itself has a full acropolis, including a theater, marketplace, and many other civic buildings, and a vast, open-roofed temple, which we visited on an earlier trip. The lion-head water spouts from the temple and a vast grotesque face are the most impressive items in the collection. Numerous vases, oil lamps, clay and bronze statues, figures from ancient Greek and pre-Greek graves, and other items from Selinunte and elsewhere are also on display in the museum.
Shipwrecks preserved much evidence of art and technology from ancient times as well: the first helmet, below, obviously spent millenia at the bottom of the sea. The museum also claims the world's largest collection of ancient anchors. These are made from stone and bronze or iron, and are on display all around the courtyard of the museum.
Sunday, July 29, 2007
Mediterranean Views
Palermo Streets
Friday, July 27, 2007
Palermo Sunday Flea Market
As we walked around Palermo last Sunday we came to a tree-filled square enclosed in a fence, with flea market stalls set up all the way round the fence. One thing we realized: this is the place to see the old cart panels from the classic Sicilian farm carts which once were a predominant tourist attraction. Of course the motor scooter, truck, and automobile have now replaced all horse-drawn transports.
Thursday, July 26, 2007
Sicilian History and Beaches
We just spent a week in Sicily -- without much internet access. We visited several historic monuments in Palermo, and then spent a few days at a beach resort, where Lenny attended a conference. Our arrival was hectic: after an hour of waiting at the carousels, we spent another hour in a long line to report two missing bags. They finally caught up with us at the second hotel. Fortunately our Palermo hotel was in a shopping district -- so we each have a few new clothes. And luckily, a bookstore in the area had a pile of the new Harry Potter, which was released on the second day of our trip. We've now both finished reading it.
During the trip, I also read two relevant books: Roger II of Sicily: A Ruler between East and West by Hubert Houben and The Leopard by Giuseppe di Lampedusa. Roger II, king of Sicily in the 12th century, and his immediate successors built some of the beautiful churches we visited, so it was interesting to learn about that era. The first photo at left shows a mosaic of the coronation of Roger, which we saw in La Martorana church. The book explains the iconic significance of this image, which may not be a portrait in the modern sense, but symbolizes Roger's kingship in several ways. For example, his clothing is the regal garb of a Byzantine emperor. Roger's high official, George of Antioch, a Syrian Christian, built La Martorana.
La Martorana stands beside San Cataldo church, which has Arab-style domes. The second photo shows the exteriors of the two churches. As illustrated by just these two buildings, Sicily was at the intersection of three cultures: Western European Catholic (Roger held his kingship as a vassal of the Pope), Byzantine, and Arab.
The Leopard was especially enjoyable to read in context. In the first scene, the main character (a Sicilian prince living just before the reunification and democratization of Italy) goes from his palace on a hill down into the center of Palermo: just where we had been walking. Throughout the book, I was delighted with descriptions of the environment where I was reading: the rugged landscape, the dry heat, and the blazing sun.
I'll be posting more of my photos of the landscape, the food, the streets of Palermo, and my favorites of ancient Greek artifacts from the archaeology museum.
Wednesday, July 18, 2007
Sunday, July 15, 2007
"Celebrating the Spirit of Innovation in America"
We took a three and a half mile walk along the Huron River and around Argo Pond today. As we walked beside the railroad tracks, approaching the dam, these are some of the images we saw. Most of the route goes through quite pretty woods along the river banks, in contrast to this area, where the junkyard cleanup has not quite worked out yet.
Thursday, July 05, 2007
Quote from "Mountains Beyond Mountains"
"Paul has created technical solutions to help the rest of us get to decency, a road map to decency that we can all follow without trying to imitate him.... Paul is a model of what should be done. He is not a model for how it should be done. Let's celebrate him. Let's make sure people are inspired by him. But we can't say anybody should or could be just like him." (Mountains Beyond Mountains: The quest of Dr. Paul Farmer, a man who would cure the world by Tracy Kidder, p. 244)
This quote is from Paul Farmer's associate Jim Kim, explaining that the poor people in Haiti and elsewhere can't wait until exceptional people like Paul Farmer come along to get good health care. I think this attempt to de-emphasize personal qualities is a key idea in reading the book. The idealism, effectiveness, super intelligence, self-sacrifice, diplomatic skills, persuasiveness, and determination of Paul Farmer can too easily become the focus of the reader, and can prevent focus on Farmer and his associates' actual goals.
When I initially heard of this book, I was reluctant to read it because I expected a sort of myth-making hero worship. It's much broader than I expected, with many well-presented themes. It particularly discusses the rise of drug-resistant TB and struggles against it, the plight of the poor in Haiti and tendency of many people to turn their backs on them, similar reactions to extreme problems in other areas of the world, and bureaucratic tendencies to make big mistakes because they rigidly avoid correcting small mistakes. I think the challenge of the book is to see all the themes, not just the one illuminating figure of Paul Farmer, remarkable though he is.
I'm looking forward to discussing the book at the next meeting of my book club.
This quote is from Paul Farmer's associate Jim Kim, explaining that the poor people in Haiti and elsewhere can't wait until exceptional people like Paul Farmer come along to get good health care. I think this attempt to de-emphasize personal qualities is a key idea in reading the book. The idealism, effectiveness, super intelligence, self-sacrifice, diplomatic skills, persuasiveness, and determination of Paul Farmer can too easily become the focus of the reader, and can prevent focus on Farmer and his associates' actual goals.
When I initially heard of this book, I was reluctant to read it because I expected a sort of myth-making hero worship. It's much broader than I expected, with many well-presented themes. It particularly discusses the rise of drug-resistant TB and struggles against it, the plight of the poor in Haiti and tendency of many people to turn their backs on them, similar reactions to extreme problems in other areas of the world, and bureaucratic tendencies to make big mistakes because they rigidly avoid correcting small mistakes. I think the challenge of the book is to see all the themes, not just the one illuminating figure of Paul Farmer, remarkable though he is.
I'm looking forward to discussing the book at the next meeting of my book club.
Wednesday, July 04, 2007
Fourth of July Parade
No one can remember when the first Fourth of July Burns Park Neighborhood parade took place. The flyers were stapled to telephone poles throughout the neighborhood this year, again by a few informal volunteers, who also drove the one and only car leading the parade. We walked up the parade route, a few blocks from home, and met it coming down Olivia Street.
"Don't let it touch the ground!" said the mother (above) to the baby trying to wave a flag.
The most recent parade I attended before today was around 28 years ago. Evelyn and her friend Becky had a float on a red wagon. Our dog Dolly won a prize that year for wearing a patriotic bandana. The dog in the photo above looks a little like Dolly. Nobody was awarding prizes this year, but watermelon was served to all at Burns Park, the end of the parade route.
Houses along the route -- and all over the neighborhood -- were ready for the Fourth.
"Don't let it touch the ground!" said the mother (above) to the baby trying to wave a flag.
The most recent parade I attended before today was around 28 years ago. Evelyn and her friend Becky had a float on a red wagon. Our dog Dolly won a prize that year for wearing a patriotic bandana. The dog in the photo above looks a little like Dolly. Nobody was awarding prizes this year, but watermelon was served to all at Burns Park, the end of the parade route.
Houses along the route -- and all over the neighborhood -- were ready for the Fourth.
Monday, July 02, 2007
Katsura Detached Villa: Kyoto, Japan, 1994
Reading about sushi inspired me to review some old photos we took on our two trips to Japan. The Emperor's villa is open only to invited visitors, and there's a long waiting list, but Mariko and her parents made sure we were on the list. Every detail of Japanese tradition, including a moon-viewing platform, tea houses, stone pathways, water gardens, and self-consciously rustic buildings are all included and utterly beautiful.
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